Wednesday 30 March 2011

"Nobody's Child" (7)

While flipping through my Vogue magazine on the flight to the Cayman Islands, expecting to find add after add and read a few mindless articles, I came across one of the most shocking articles that I have read in awhile. It was the story of an author, Taylor Stevens, and how she had been raised in a religious colt since birth. It explained the rules of the colt and her life as she progressed through it, hoping in the end, to remove herself from the colt, and the struggles she had after she did remove herself.

A man that went by the name of David Berg founded the colt that Stevens was born into. He did not want his followers to find jobs, maintain a family consisting of a mother, father and children, or stay in one place for a long period of time. Family bonds were broken, children did most of the work, and privacy did not exist. Steven’s, at age fifteen began begging in Osaka, and talked about how that it was the dead of winter and she was wearing flip flops, but that “no one cared. I belonged to a colt, and I was nobody’s child.” Stevens mentioned that her most prized possession was a cassette recorder that played Greek classical music. Because music and reading of any kind was band, she often played her cassette recorder at night on the lowest volume possible. When she “craved diversion,” this was her escape.

In the late 90’s, Stevens got to choose the next place she wanted to go and she chose Africa. She chose Africa because she wanted to distance herself from the colt. She then married a man from Europe, who was also a part of the colt. She said that they didn’t have the best romantic chemistry but then followed with a very interesting sentence. “We were the only two members of a similar age in the area. As I like to say, did Adam really have a choice about Eve?” 

Once they had their first daughter, Stevens realized that she did not want her daughter to live the same life that she had. They finally left the colt.

“I will never forget how elated I felt the first morning I woke up in our own small apartment, finally free of the eyes that had been watching and judging me my entire life. Going to the grocery story, buying clothes, scheduling doctors appointments—All the ordinary things most adults take for granted—Were frightening and novel experiences for me.”

After reading this article, I began to see similarities between Steven’s story and The Handmaid’s Tale. Steven’s had a loophole, her cassette player, when she needed an escape. This is similar to Ofred and her tricks to keep her sanity. She might not have had anything tangible like Stevens did, but in the scheme of things, it was an escape. One of the things that I found most interesting about this, this article paints a picture of what life out of Gilead would be like if Ofred had escaped. Terrifying. Just doing daily tasks by herself, without someone watching was frightening. The Handmaid’s Tale left us to create our own ending and I feel that if Ofred does get out of Gilead, that she would succeed, like Stevens. She worked so hard to keep her sanity so that if she did get out of this society she would be able to survive.

Stevens is now 38 and has only been educated up to the sixth grade level but has “succeeded.” In the article she talks about how everyone was told that if they left the colt that something bad would happen to them. Well, in Stevens’ case, this was not true, and because she took the risk and left all she had known, she wrote an amazing story. Yes this is only the story of one colt, but this could happen anywhere, just like in The Handmaid’s Tale, and if it does, we are going to want as much knowledge about those situations as we can get. We have a lot to learn from Taylor Stevens.


Monday 7 March 2011

Cat (6)

Have you ever wondered about the importance of a name? If you do not have a name, who are you? Do you exists? In The Handmaid’s Tale, characters are given new names once the new society is created. The handmaids are given names like “Ofglen” or “Offred” which is our narrator’s new given name. Authority figures, depending on who they are, go by names like “Commander” or “Aunt.” While thinking about this in class the other day, something that I found myself relating this too was the classic story, Breakfast at Tiffany’s. The main character Holly refuses to name her own cat. She claims that its because she feels that the cat does not belong to her and that giving it a name adds personal identity to it. So, through out the entire story, she would always refer to her cat as “Cat.”

When you think about the thought of naming a person or animal, it’s a delicate process. Parents often think of names for their children months before they are born. And how often do we find ourselves stressing about what to name our next dog? A name is something that determines who you are, your existence. I found that in The Handmaids Tale, women are given new names, in order to de-personalize the situation. We are first introduced to this very early on in the story, as the society begins to change. Luke and the narrator are in the processes of planning their escape when they realize that they cannot leave their cat alone. Luke soon comes to the conclusion that the only thing to do is kill the cat. He then tells the narrator he will “handle it.” After the narrator hears her husband say that phrase she says, “and because he said it instead of her, I knew he meant kill. That is what you have to do before you kill, I thought. You have to create an it, where none was before.” The husband was creating a less personal situation for the family, by de-humanizing the cat.

Later on in the book we see this same thing happen, only with one of the handmaids, Ofglen. Ofglen kills herself and there is a new Ofglen that replaces her. When Offred asks if Ofglen has been transferred, the new Ofglen replies saying, “I am Ofglen.” The narrator then goes on to talk about how she never did know Ofglen’s real name. “That is how you can get lost, in a sea of names. It wouldn’t be easy to find her now.” Because we are never revealed Ofglen’s real name, it’s as if she does not exist.

This society has it down to a science. Take away their name, and it becomes a lot easier to do awful things and feel better about themselves. We do not only see it here, but in everything that is done. The Commanders treat the Handmaid’s like sex slaves without guilt because they don’t know their real names, their personal identity. To them they are someone’s property, the property of Fred or Glen. They might as well just call them “Cat.”

So next time you are naming something, remember how important a name can be, because without one, you can just become another “missing person” (p. 113).